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4 DA POPPIN’ is a 4-track EP by Ghanaian rapper and singer Kofi Mole, released on September 4, 2026 under No Gentlemen Allowed. The project blends hip-hop, hiplife, Afrosounds, and party-ready street anthems, featuring collaborations with some of Ghana’s biggest names.
Kofi Mole returns with explosive energy on “4 DA POPPIN’,” a compact but impactful EP that reinforces his reputation as one of Ghana’s most consistent and entertaining rap talents. Released in September 2026, the four-track project delivers exactly what its title promises: high-energy music designed for enjoyment, celebration, and pure vibes.
Over the years, Kofi Mole has built a loyal following through his unique combination of rap, hiplife, Afrosounds, and street-inspired storytelling. From Kumasi to the wider African music scene, he has earned respect for his ability to balance lyrical ability with commercial appeal. On 4 DA POPPIN’, he focuses on creating a short but memorable listening experience packed with infectious rhythms and strong collaborations.
The EP opens with “BALOTELLI (SUPA),” a bold and energetic anthem that immediately establishes the project’s confident tone. Driven by vibrant production and catchy delivery, the song showcases Kofi Mole’s charisma and ability to command attention from the very first track. The record serves as a strong introduction to the EP’s lively atmosphere.
“Trapper Sem,” featuring Kuami Eugene, follows as one of the project’s standout moments. The collaboration blends Kofi Mole’s rap style with Kuami Eugene’s melodic versatility, resulting in a song that balances street appeal with mainstream accessibility. The chemistry between both artists makes the track an instant highlight and demonstrates why it was selected as a lead single before the EP’s release.
The third track, “ASEW,” featuring Sefa, introduces a fresh dynamic to the project. Sefa’s vocals complement Kofi Mole’s energetic delivery, creating a catchy record that combines melody, rhythm, and contemporary Ghanaian influences. The collaboration adds variety to the EP while maintaining its upbeat character.
Closing the project is “WAYEDEW,” featuring Quamina Mp. The song reunites two artists who have previously demonstrated strong chemistry on collaborations. Built around infectious grooves and memorable hooks, the track serves as a fitting finale to the EP, leaving listeners with one final burst of energy and entertainment.
One of the strengths of 4 DA POPPIN’ is its focus. Rather than stretching the project unnecessarily, Kofi Mole delivers four songs that each contribute to the EP’s overall objective. The concise format ensures there are no filler tracks and allows every song to make an impact. At just over ten minutes long, the project is designed for replay value and immediate enjoyment.
Production throughout the EP remains polished and energetic, blending hip-hop, hiplife, Afrosounds, and party influences into a cohesive listening experience. The beats provide enough room for Kofi Mole’s personality to shine while giving featured artists opportunities to contribute memorable performances.
Ultimately, 4 DA POPPIN’ succeeds as a celebration of good music, collaboration, and entertainment. Kofi Mole demonstrates once again that he understands how to create records that connect with fans while maintaining the authenticity that has defined his career. Though brief, the EP delivers enough energy and replay value to satisfy both longtime supporters and new listeners.
For fans of Ghanaian hip-hop, hiplife, and Afrosounds, 4 DA POPPIN’ offers a fun and engaging listening experience packed with strong performances, infectious rhythms, and memorable collaborations.
Tracklist
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